Here's my story.
I began my entertainment career in 2007 as a Lance Hart after responding to an ad I had seen on a dominatrix’s a blog. She was looking for person to wear a mask and get tortured while bound to a table in a movie. She bound, gagged and tortured me for over four hours with no breaks or safe words. I went on to win dozens of awards as a performer and a few as a director.
As I began to earn decent money from performing, I spent it all on making the movies I wanted to see. My first production company was She Owns Your Manhood: featuring hour glass bodied femmes in high cut leotards and pantyhose, fucking men with huge strap-ons, torturing their balls and draining their cum. I used the money I earned from Clips4sale to travel to every adult convention I could. I needed to learn how the business and tech aspects of my industry worked. After many Xbiz shows, Exxxocticas, FetCons, AVNs and Phoenix Forums, I figured out how to build my own network of paysites. It was called PervOUT, and it eventually became home to thousands of highly profitable movies. It took years to succeed. I completely funded it by performing as a bottom in gay porn and a submissive in BDSM until it became profitable in 2017.
The bulk of my performance work was as a submissive in hardcore BDSM films. I remain proud of that decade and half of work. For the most part, my experiences were lovely. Some were, however, traumatic. I was regularly physically and sexually assaulted, then gaslit about it. So, when I directed my own movies, we had mandatory consent talks before each shoot. Everyone, including the PA, was seen and heard while setting their boundaries. I checked in with everyone throughout the shoot in case any boundaries needed to move. This is now common practice at Gamma and Alo, the two largest porn networks in the world. I also committed to overpaying all the performers. I guaranteed a maximum shoot time of six hours to ensure that no one was overworked. As my network grew and I hired directors to run shoots for me, these rules carried through to their shoots.
Adult Film’s trade association, The Free Speech Coalition, has allowed me the privilege of serving on their board of directors for years. We had the honor of figuring out how our members could safely return to making films after the COVID pandemic. Mainstream film often looked to us for guidance when they had to do the same. Currently we are fighting banking discrimination against sex workers and discriminatory and homophobic age verification laws across the nation with our team of lobbyists and community efforts.
I also serve on the board of directors for PASS as the secretary. We govern the STI testing protocol for Adult Film.
In 2021 I ran out of patience with my industry misgendering my fellow performers. Up until then there were only three genders in porn: Male, Female, and Trans (which meant trans female). Non-binary performers were forced to work and be credited as the gender they were assigned at birth. I reached out to my friend AJ Hall, the owner of Elevated X, to help make a massive change. His child is non-binary so he was more than happy to assist. We changed the majority of adults sites in existence and many of the rest have followed suit. Now, on most sites, you can browse the catalogues of movies by the perfomers’ actual genders including non-binary, trans masc, no-gender and more.
In 2023 I sold PervOUT for $700,000 to help pay for my transition costs and moved to Brooklyn for the outstanding sex work and queer community. Here, I started a new production called “Nice Feelings” where I directed in and performed in queer BDSM as my true femme self. It was a beautiful experience and I have no regrets. Unfortunately, the new discriminatory age verification laws and discriminatory bank regulations caused that business to fail. Simply put, it became impossible to run a profitable adult production company while maintaining my principals. So, after grossing over a million dollars a year for 4 years straight as a man, I went broke as a woman. I threw most of those movies on Pornhub for free so at least people can enjoy them. Can’t win’m all. I’ve since significantly downsized and cut my costs to a minimum.
Honestly, I’m living my best life in New York. I haven’t been this happy in years. I got to star as the villain in a slasher movie. To my knowledge, it’s the first movie to be in theaters starring a trans woman who is clearly not tucking. The writer and director, Don Capria, let me be trans and didn’t ever make a big deal out of it. That means something to me. Our movie had a great run in theaters nationwide. It’s already won one award at the Bushwick Film Festival and currently holds a 93% rating on Rotten Tomatoes. I’m cast to star in two more mainstream movies (the sequel and the prequel of “Director’s Cut”) The prequel will be my character’s origin story.
I’ve rekindled my passion for writing. I host a writer’s workshop twice a month in my friend’s dungeon where sex workers and kink friendly writers come to work on their pieces. Many are published authors. I read my work monthly at events like Eros Unbound and Sluts Can Write (which I also host) and I’m working on two books.
I get heaps of joy and fulfillment out of in-person sex work here in NY. It’s a part time thing. I take a booking every month or so. I’m picky about my clients. I’ve had to do survival sex work in the past, but fortunately I don’t have to anymore. Being my clients’ most sensually enjoyable experiences of their year is special. Being their first girl-dick is special. Being a part of their sexual journey is special.
Making kinky movies will always be my passion and primary art. You can find the new movies I’m directing at the same place I started, She Owns Your Manhood. I keep up with my Onlyfans where I enjoy talking to fans and making them custom content.
